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China Daily -- Women Design For Success in Chicago Show

12/3/2015

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One of a Kind Show is filled with visitors on the opening morning at Chicago's Merchandise Mart on Dec 3. Jian ping / for China Daily

Two Chinese women, one focused on knitting accessories and the other women's clothes are busily running booths at the 15th annual One of a Kind Show at the Merchandise Mart in Chicago. 

The popular four-day show attracts approximately 65,000 visitors each year. More than 600 artists from the US and Canada will display wares at the show this year. 

"This is my fourth year to be at the show," said Michelle Tan, a designer who was born in Hong Kong and grew up mostly in Chicago. 

Tan said that unlike trade shows, One of a Kind is open to the public. 

Tan said you "get direct feedback. It's great."

Tan studied at the city’s International Academy of Design and Technology and eventually turned her passion for fashion design into a profession. She has created a brand under her name and her clothing is handmade in Chicago. 

She beamed when talking about a pink dress that she designed was worn by actress Gabourey Sidibe in the midseason finale of the television series Empire on Dec 2. 

Ping Wu, one of seven featured artists to speak at the show, was enthusiastic about the accessories she designed. Wu said she pursued a childhood interest in knitting after becoming a physical therapist in the US. 

"I put my work on hold and spent a year at the Istituto Marangoni in Milan to study fashion design," she said. 

Her booth features a variety of scarves and hats, along with some hand-knit sweaters. 

"My accessories are highly functional and practical," Wu said. 

She demonstrated to customers various ways to wear one of her scarves, from putting it over her hair and letting it sit on her shoulders to wrapping it around her neck and using it as a pair of long gloves. 

"This is really cute, really different," said Helen Bacza, a customer trying on one of Wu's scarves. 

"I bought that white hat from you last year," said Suzi Paradiso, another visitor to Wu's booth, as she pointed to a knit hat on the wall. 

Paradiso said she had attended the show the last five years and found many items "very unique". 

Wu said she was delighted by the success she had at the show last year.

"I like this show," she continued. "Chicago customers really appreciate the design and handmade products."

One of a Kind features handcrafted fine arts, fashion and accessories, along with home décor products, gourmet food and children’s goods. The show opened on Thursday and will run through Dec. 6.


http://usa.chinadaily.com.cn/us/2015-12/07/content_22653480.htm
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Ornament Magazine Prize at PMA 2015

11/11/2015

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Ping Wu receiving the Ornament Award for Excellence in Art to Wear from Ornament Associate Editor Patrick Benesh-Liu. 2015 Philadelphia Museum of Art Craft Show. Congratulations Ping!

http://www.ornamentmagazine.org/subscribe
Life is beautiful. Someone arranged all these misfortune and fortune around us for a meaningful purpose. Unable to get into mass commercial shows, in return, I had inventory and rare time to prepare and plan better for this show, the type of show marked your level as an artist. Subsequently, not only I had my first record breaking sold out event, generated a long list of follow up orders via my website afterwards, but also, I won the professional Ornament Magazine National Prize in the wearable art category?!... It reminds me some old Chinese wisdom I learned as a child:

Etymology From: 塞翁失馬,焉知非福 (When the old man from the frontier lost his horse, how could one have known that it would not be fortuitous?)

139 BCE: Liu An, zh:s:淮南子/人間訓 (Huainanzi)

夫禍福之轉而相生,其變難見也。近塞上之人有善術者,馬無故亡而入胡,人皆弔之。其父曰:「此何遽不為福乎!」居數月,其馬將胡駿馬而歸,人皆賀之。其父曰:「此何遽不能為禍乎!」家富良馬,其子好騎,墮而折其髀,人皆弔之。其父曰:「此何遽不為福乎!」居一年,胡人大入塞,丁壯者引弦而戰,近塞之人,死者十九,此獨以跛之故,父子相保。故福之為禍,禍之為福,化不可極,深不可測也。


It can be difficult to foresee the twists and turns which compel misfortune to beget fortune, and vice versa. There once was a old man, skilled in divination, who lived close to the frontier (with his son). One of his horses accidentally strayed into the lands of the Xiongnu, so everyone consoled him. (But) the old man said, "Why should I hastily (conclude) that this is not fortunate?" After several months, the horse came back from the land of the Xiongnu, accompanied by another stallion, so everyone congratulated him. (But) the father said, "Why should I hastily (conclude) that this can not be unfortunate?". One day (the son) fell off the stallion, and broke his leg, so everyone consoled (the father). (But) the father said, "Why should I hastily (conclude) that this is not fortunate?" One year later, the Xiongnu invaded the frontier, and all able-bodied men took up arms and went to war. Of the men from the frontier (who volunteered), nine out of ten men perished (from the fighting). It was only because of (the son's) broken leg, that the father and son were spared (this tragedy). Therefore misfortune begets fortune, and fortune begets misfortune. This goes on without end, and its depths can not be measured. (Wiktionary translation)


https://en.wiktionary.org/wiki/塞翁失馬
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Show Cases: Ping Wu

9/30/2015

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In this ongoing series of posts, we ask Craft Show artists to reflect on their favorite memories from shows past. Ping Wu, pictured here, is a wearable fiber artist whose work appeared in the 2014 Craft Show and will appear again in 2015. 

The Philadelphia Museum of Art Craft Show is the most prestigious contemporary fine craft event in the country. You know how good an artist is just by knowing how many years she has been selected to this show. So, each year when I walk in to the show site, I am full of gratitude. It’s truly like walking into a museum, except you can physically touch and even own a piece you’d normally admire in a magazine. You also get to talk with the artists behind those beautiful objects. They are masters in their fields, yet I’m touched by their kindness and willingness to help others.

The truth is, living and working as handmade craft artists is hard in this fast-paced modern society. We live on unstable income and most of us reside in remote areas where the cost of living is more affordable. It takes days to prepare for the production of the show, with a lot of investment. During those days, we have very little rest. Yet at this show we are treated with such care and respect by the committee members. They make sure we're well fed and tend to us like mothers. The show is so good; we are so busy that we often don't have a chance to thank everyone for making it all possible for us, but there should be an award for those wonderful people behind the scenes.

One of my favorite Craft Show moments was last year when the image of me wearing one of my Bubble Hats inside of my booth was put up as a front web page on the Show’s Facebook site. It’s still my best show picture—even without any makeup. Needless to say, I love this show, and I will do everything I can to present my best work to come back year after year.

http://www.pmacraftshow.org/blog/2015-09-30/show-cases-ping-wu
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